20 years of digging through the past
By Robert J. Cyr
Published:
It sounds like the opening lines to a script for a lost
episode of an Indiana Jones film: Two boys tumbling down a hillside at a gravel
mine one weekend knock loose human skulls that come rolling after them.
Cut to a team of scientists with gear in tow, wiping their brows as they slowly
unearth an ancient cemetery.
It’s a scene State Archeologist Nicholas F. Bellantoni
remembers well — the 1994 dig at a rock pit in Griswold that yielded the bones
of 29 people, the ruins of an 18th-century farm family burial plot.
The dig made headlines and showed up in magazines and newspapers around the
country as Bellantoni and his crew dispelled an age-old
Bellantoni found that
one rearranged skeleton showed evidence the man died from tuberculosis.
“What I do is anthropology of the dead,” he said. “We have the same questions
an anthropologist would ask, such as things surrounding economics, art, and
other facets of a culture, but we get our answers out of the ground.”
But Bellantoni is a far cry from the wisecracking, whip-wielding character made
famous by actor Harrison Ford. Bellantoni says his first encounter with
archeology was something of an accident, a passion he didn’t discover until he
was 25, a sophomore in college, and had just spent four years in the Navy.
“I was not a very good student when I was younger, I was rather apathetic,” he
said. “I had no real ambitions that way. Once I took an anthropology course, a
lightening bolt went off in my head.”
He graduated from
In 1988, a few months after receiving his doctorate, he was named state
archeologist and head of the newly formed Connecticut Office of State
Archeology, based out of the Connecticut State Museum of Natural History at
UConn.
The real estate and economic boom of 1980s worried many environmentalists and
anthropologists, who were concerned that important burial sites and artifacts
were being covered up by burgeoning development, or
worse — destroyed.
Scientists petitioned the legislature to establish a state department to
oversee land preservation, and it passed, with Bellantoni at the helm.
“The future is a sacred place for Americans and the frontier spirit, but we
need to keep record of the past as well,” he said. “I don’t necessarily
preserve artifacts and that’s all. The past is important because it gives us
all a heritage, an identity as humans and as Americans. Our behaviors didn’t develop
over night.”
The department recently celebrated its 20th anniversary and Bellantoni has had
a hand in helping it to frequently make the news, most recently by debunking a
staged Native American burial site in the eastern part of the state, he said.
The items — stone bowls and tools — were determined to be machined and not
manmade, he said.
“The past is very important to people today, and how that past is interpreted,”
he said. “They will create a site to make people understand the past the way
they understand it.”
Bellantoni regularly works with state police to help identify human remains
and, along with teaching at UConn, oversees more than 600,000 artifacts.
And one relatively new area of study at the department — underwater archaeology
— is already drawing interest from Indian tribes near the shoreline, he said.
“I don’t know of a more intriguing species than humans,” Bellantoni said. “We
not only have a biological element, but a cultural element as well. We keep
asking those basic questions of who are we, where do we come from.”
Strangely enough, the movie sensation Indiana Jones that first appeared in
theaters in 1981, long before the department’s founding, has recently released
its fourth installment, certain to foster a new generation of would-be
archaeologists, he said.
“It wouldn’t be hard to find many archeologists and anthropologists today, from
different generations, who will admit that they got into the field because they
saw an Indiana Jones film,” Bellantoni said. “But it’s important to remember
that’s all good fun. He destroys a lot of things. And not once do you see him
taking measurements. So it’s a double-edged sword, but great fun.”
Another downside of the cavalier type of treasure hunting that might be
inspired by the films is vandalism, he said.
“We don’t want people to get the impression that things have value and can be
mined,” he said. “Private mining is a problem.”
Bellantoni said he’s the type that prefers to work behind the scenes. After the
release of one of the earlier Indiana Jones films, he turned down an offer from
NBC’s “Today Show” to debate relics with Harrison Ford, and has tried to avoid
the limelight since, he said.
“For some reason, I don’t think either us would have been interested in that,”
he said.
For now, Bellantoni will be busy with the many lectures, field reviews, and
studies he conducts each year, including maintaining more than 5,000 site maps
and 20 excavations, he said.
“It’s just amazing work,” he said. “It’s new and amazing every day.”